Snapshots of relationships in a bubble, when done well, like Call Me by Your Name and the two Rooney interpretations, do more than just reshuffle the chemistry of my emotions, I get stuck in them—these gorgeously filmed melodramas, filled with talking, and not talking, and amazing soundtracks that slurp-up whatever resolve I had not to bawl myself to sleep. If I were forced to pinpoint the feeling, the way these shows hit my brain, it’s infatuation. Like first love, wrecking everything. But maybe it’s more than that, maybe it’s the way these stories are set up, the shattering build-up to a gut-wrenching and ambiguous finale. Devouring Normal People at the start of the pandemic, when life before was the shattering build-up that was leading us to the gut-wrenching and ambiguous finale (at least that’s how this shit was unfolding in my head), was probably ill-advised. I was not emotionally prepared to watch two young people grow into their adult selves, kiss deeply, fall in love, turn cool, turn uncool, fuck regularly, bike the Italian countryside, date other people and drift off into their vague futures. But now here I am, doing it all over again with its deep-kissing cousin Conversations with Friends, and it’s torture, as infatuation often is.